Articles by Caroline Bruzelius

The Medieval Kingdom of Sicily Image Database uses new media technologies to reframe our understanding of medieval Europe by focusing on the role of the built environment for the formation of State identity in the medieval Kingdom of Sicily during the Norman, Swabian, Angevin and Aragonese dynasties (c. 950-1420). The material in the database is important for two reasons: the significance of South Italy as a prototype of multicultural State formation and the highly fragmentary condition (war bombardment, earthquakes, urban transformation) of the sites that played a central role in the power structures of the Kingdom. A comprehensive database of historical images of monuments and cities (prints, drawings, maps, photographs) made by scholars, artists and travellers from the fifteenth century to the twentieth century, can enable scholars and the public to recover the appearance of the landscape, cities, and individual monuments prior to radical renovation or destructions. An interdisciplinary research team is conducting a systematic survey and critical cataloguing of images dispersed in the archives, museums and libraries of Italy, Europe and US.

This essay describes the use of Ground-Penetrating Radar (GPR) to establish the location and dimensions of the destroyed choir screen at the church of Sta. Chiara in Naples. On the basis of this new evidence, inserted within a laser scan of the church that provides its exact dimensions, the authors have been able to reconstruct a hypothetical model of the screen’s original appearance. The model, if correct, suggests that the choir screen not only contained altars to Saints Francis and Claire (now present in the flanking side chapels), but also that it supported an upper gallery that connected the wide tribunes on either side of the nave. It is hoped that this hypothetical model will stimulate new research on the décor, liturgy, and ceremonial functions of this important Neapolitan church.

The Kingdom of Sicily Image Database uses new media technologies to reframe our understanding of medieval Europe by focusing on the role of the built environment for the formation of state identity in the medieval Kingdom of Sicily ruled by Norman, Swabian, Angevin and Aragonese dynasties (950-1420). The theme is important for two reasons: the significance of South Italy as a prototype of multicultural state formation and the highly fragmentary (war bombardment, earthquakes, urban transformation) state of the sites that played a central role in the power structures of this new state. A comprehensive database of historical images of monuments and cities (prints, drawings, maps, photographs, etc.) made by scholars, artists and travellers from the 15th to the 20th centuries, can enable scholars and the public to recover the appearance of the landscape, of cities, and of individual monuments prior to radical renovations or destructions. An interdisciplinary research team is conducting a systematic survey and critical cataloguing of images dispersed in the archives, museums and libraries of Italy, Europe and US.