Articles by Antonio Sartori

In ancient Roman world the monumental stone inscriptions had always an harmonic proportion. The metric measurement cannot define the train of their preparation; but the careful lay-out standard surely obeyed - perhaps also spontaneously - to some exact rules of the proportion (e.g. Hambidge's "dynamic symmetry", valid in some artistic fields) aimed at the primary purpose of all epigraphical expressions: the most efficacious communication. Some examples, mathematically verified by CILEA, are sown here.