Articles by Filippo Giudice

Since 1995, F. Giudice, professor of Classical Archaeology at the University of Catania, has donated a corpus of published and unpublished Attic figured vases (about thirty thousand files). The progressive updating of the archive and the stylistic analysis of the new vases (Post-Paralipomena Project) has allowed prof. Giudice’s team to study the new data of trade of Attic figured pottery across the Mediterranean. According to the method presented in 1993 («Archeologia e Calcolatori» n. 4), the Mediterranean area is divided in 13 areas and 47 sub-areas; for each of them a system of histograms shows the presence of Attic pottery in the whole area and in the single cities with particular attention paid to the chronology. As an example, this paper analyses the distribution in the Iberian peninsula.

Quantitative studies of Attic figured pottery have interested many scholars as the existing vases represent only a modest percentage of the whole Athenian production, and their number is liable to change after any new excavation. Traditional systems of analysis confuse the pattern of ancient trade: near to the peaks of single cities, we have a total absence of data from areas that we would believe to be centres of a lively trade. The research conducted by the Institute of Archaeology of Catania University attempts to highlight the “commercial context” of the distribution of Attic pottery; data processing is based on a file divided in 13 areas and 47 sub-areas. The file follows the possible routes from East to West. The appendix describes the file of the Painter of Paris Gigantomachy, based on the vases assigned to him by J.D. Beazley. The painter’s production is analysed through three points of view: number and provenience of vases; provenience of shapes; provenience of subjects.